Karen Kilcup: Red Appetite
Karen Kilcup is the Elizabeth Rosenthal Excellence Professor of English, Environmental & Sustainability Studies, and Women’s, Gender, & Sexuality Studies at UNC Greensboro. Four of Kilcup’s thirteen academic books have received Choice citations as an Outstanding Academic Title, including her two most recent volumes, Who Killed American Poetry? From National Obsession to Elite Possession (University of Michigan Press, 2019) and Stronger, Truer, Bolder: American Children’s Writing, Nature, and the Environment (University of Georgia Press, 2021). She has received major National Endowment for the Humanities awards, as well as many professional honors, such as serving as the Dorothy M. Healy Distinguished Visiting Professor of American Studies at Westbrook College (now the University of New England) and the Edna and Jordan Davidson Eminent Scholar Chair in the Humanities at Florida International University.
Named a Distinguished Teacher by the White House Commission on Presidential Scholars and the National Education Association, she has taught at institutions that include Tufts University, Brandeis University, Colby College, the University of Hull in England, and the University of Berne in Switzerland. After a decade of academic vagabonding, she landed at Greensboro, where she has been since 1997. Kilcup has a B.A. in English and mathematics from Wellesley College, an M.A. in English from the University of New Hampshire, and an M.A. and Ph.D. in English and American Literature from Brandeis University. She coedits a professional quarterly, ESQ: A Journal of Nineteenth-Century American Literature and Culture and, with her students, edits The Envious Lobster: A Collection of American Children’s Nature Writing, 1824-1924.
Kilcup has written poetry for four decades but began submitting it for publication only in mid-2021. Over seventy-five of her poems appear in anthologies and various journals, including Poet Lore, Poetry East, Caesura, Hole in the Head Review, and storySouth. Her chapbook Black Nebula is forthcoming from Grey Books Publishing, and her forthcoming full-length collection The Art of Restoration won the 2021 Winter Goose Poetry Prize. In 2022, her poem “Old Growth” received an honorable mention for the New England Poetry Club’s E. E. Cummings Poetry Prize, and her “Feathers and Wedges” received the Julia Peterkin Literary Award for Poetry from South 85 journal and was nominated for a Pushcart Prize. Forthcoming is Ora Eddleman Reed: Author, Editor, and Activist for Cherokee Rights.
Kilcup grew up in an old farming family with the company of many animals. She loves cats, especially her most recent feline, Easy. An avid cook, gardener, runner, kayaker, and rock climber, Kilcup lives in coastal New Hampshire with the love of her life, Alan.
Winner of the 2022 Helen Kay Chapbook Contest
Karen Kilcup’s Red Appetite
Cover: R.P. Thrall, Minnie From the Outskirts of Village, 1876. Oil on canvas, 26 7/8 x 21 7/8 in. Collection of Shelburne Museum, museum purchase. 1960-233. Photography by Andy Duback.
In this beautifully crafted collection of poems, Karen Kilcup writes about how isolation due to covid brought nature to our doors, examining human kindness and cruelty as it encroaches. In “Squunck” the skunk observes us as well. “I live / in open air, uncontained / by the doors like coffin lids / that suffocate you inside /your fancy boxes.” Kilcup also laments isolation. In “On Not Being Touched” she writes, “I envy the river rocks / for the water / curling over / their backs.” In “Belgian Mare and Foal” Kilcup celebrates a birth. “A flurry of legs / the pour of a creamy tail, / the flash of a russet back. / The mare observes, and nods.” I am enamored of Karen Kilcup’s work and am honored to have had the chance to publish two of the poems from this collection. —Lee (Lori) Desrosiers, author of The Philosopher’s Daughter, Sometimes I Hear the Clock Speak, and Keeping Planes in the Air, and publisher of Naugatuck River Review and Wordpeace
All too often we humans are guilty of a “habit of not seeing what’s there,” as Karen Kilcup claims in her poem “The Sixth Cat.” But in these poems, she pays attention. Red Appetite is filled with close looks at the myriad of creatures that share our planet, from the tiny water striders that “cannot see / the quick shadow / that glides beneath / the river’s lucent skin, / the gulf that lies / below” to the bobcat, the “graceful spotted ghost,” that “leaves behind a chill that never / eases.” From a deep observation of the small lives we often glimpse in our wild and more-domesticated spaces, these poems deftly straddle a first-time gardener’s fierce frustration with the wild pillagers that seek the same bitter greens in spring as we do, and the often humorous empathy for those small lives we too often overlook. —Kathy Solomon, author of Tempting Fate
Red Appetite is a taxonomy of the joy and quirks of animals that live around us, haunted all the while by death and the COVID lockdown. In these tight, lyrical poems, mortality hunts the speaker like the bobcat that stalks the barnyard and the woodchuck that undermines the garden. These poems echo Maxine Kumin’s ethical introspection while others hint at the starkness of Robinson Jeffers’ animal poems. The music here allows the reader a taste of the sublime in the midst of a world that is always falling and rising:
The neighbor’s ornamental cherry tree / sags with blooms. Too soon,
they’ll wash the dark ground / with pink, soft underfoot, as if
someone holding her breath / exhaled
Red Appetite is a focused meditation on how we are reflected in these animals, both domesticated like the barnyard cat or mare, and more wild like the possum, junco, and bobcat. Kilcup’s collection is a nuanced read that leads one to rejoice in spring and reflect that new life is due only to the coldness brought by winter. —Gregory Byrd, author of The Name for the God Who Speaks, winner of the 2018 Robert Phillips Prize
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